“The idea of past and future meet in the present world was something that was decided from a very early stage of development,” Fuse tells Digital Trends. Still, Takuro Fuse made it clear that the development team always had this rather distinct narrative vision for the title.

It’s pretty ridiculous, and Exoprimal’s narrative gives off the vibe of a B-movie. It turns out that this rogue AI, Leviathan, wants to collect data from an eternal “Wargame,” which essentially means teleporting soldiers with Exosuits from parallel realities three years into the past to fight hordes of dinosaurs. In Exoprimal, a rogue AI traps the player and their crew on the deserted Bikitoa Island.

“Finding a way to marry the worldbuilding and storytelling was a big challenge for us, but we feel we found a good balance.” “ Exoprimal is a new IP, so it was very important for us to build a world that feels real and has a richness to it but also can tell a story that isn’t too slow, isn’t too fast, and is compelling and believable,” Hiraoka tells Digital Trends. Having a compelling world for it to take place in was also a vital goal. From a gameplay perspective, game director Takuro Hiraoka and art director Takuro Fuse tell Digital Trends that Capcom wanted to find an exciting way to pair PvE and PvP components into one experience and experiment with showing a massive amount of enemies on the screen at once. While Exoprimal initially elicited many comparisons to Capcom’s previous dinosaur-related IP, Dino Crisis, the development team made it clear that the goal from the start was always to create an entirely fresh IP.

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